Shoka shofutai

Shoka shofutai has its roots in the 18th century . The 3 main lines (Shin, Soe and Tai) are supported by secondary branches or stems (Ashirai). It expresses the elegance of natural growth. Flowers and leaves are equally important. Severe regulations dictate the creation of a part of bare stems before these follow different directions (Mizugiwa). In addition it honours light and shadow parts of flowers and leaves and it suggests one main stem from which all the branches seem to depart. Vases are less or more wide mouthed according to a severe straight-up arrangement (Shin), a broader (Gyo) or very broad arrangement (So). Many fascinating special teachings exist in this style.

I consider Shoka shofutai the heart of Ikenobo.

Ishu ike with 9 Aspidistra leaves in Matagi :20 01 2012

07 01 2012

28 10 2011: Ishu ike with Liriope

05 10 2011: Muko-gake(matagi) with morning glory( first attempt). Flower gone to Nirvana just before finishing the arrangement.

Autumn workshop: 01 10 2011: Futakabu ike

26 08 2011 : Henkagata Tsuki ( first trial)

31 08 2011: Nishu ike with bamboo and chrysanthemum

06 08 2011: Sanshu ike

October 2010/ Nishu ike with Nandina domestica

during Japan weekend Shofukan

Japanese Iris July 2010

Gyo-do-Ike 3 July 2010

Shoka with a Matagi( forked twig or split branch) and Tomegi ( piece of stem to close off the space for arrangement) is a traditional technique and a very special challenge where patience is needed; it also gives a sense of great contentment.

04-06-2011: Shoka Shofutai Ishu-ike with Matagi and Tomegi